Kerem Ozan Bayraktar is an artist and academic whose work examines the intersections between biological, cultural, and technological systems. His practice spans the aesthetics of everyday life, cybernetics, and materialist perspectives, encompassing a diverse body of work that includes site-specific installations, prints, animations, texts, diagrams, and presentations. He participated in several art & research programs, including Fellowship for Situated Practice (basis voor actuele kunst, 2022, the Netherlands) and the Berlin Senate Residency Program (Zentrum für Kunst und Urbanistik, 2021, Germany). His work has recently been featured in the Tokyo Biennale (2023, Japan), Non-/Human Assemblages (2021, South Korea), Sentient Matter (2021, D21, Germany), Timeless Curiosities (2024, Istanbul Modern, Turkey). Bayraktar received his MFA and DFA degrees from Marmara University, Faculty of Fine Arts, Department of Painting, and lectured on art practices, digital images, and art theory at Marmara University and Mimar Sinan Fine Arts University. In 2024, Bayraktar conducted seminars in the Arter Learning Programme. His recent publications include Marmara (2023), Spirits on the Ground (2021,) and Dünyaların Haritaları [Maps of Worlds] (2021). Bayraktar lives in Istanbul and is represented by Sanatorium.